The Last Leaf

The master storyteller narrates a moving tale ... with a twist

February 04, 2019 Updated 10:56 IST
2019-01-30T16:13:57+05:30
The Last Leaf Illustration by Atri

In a little district west of Washington Square, the streets have run crazy and broken themselves into small strips called ‘places’. These ‘places’ make strange angles and curves. One street crosses itself a time or two. An artist once dis­covered a valuable possibility in this street. Suppose a collector with a bill for paints, paper and canvas should, in traversing this route, suddenly meet himself coming back, without a cent having been paid on account!

So, to quaint old Greenwich Village the art people soon came prowling, hunting for north windows and 18th-century gables and Dutch attics and low rents. Then they imported some pewter mugs and a chafing dish or two from Sixth Avenue, and became a ‘colony’.

At the top of a squatty, three-storey brick, Sue and Johnsy had their studio. ‘Johnsy’ was familiar for Joanna. One was from Maine; the other from California. They had met at the table d’hôte of an Eighth Street Delmo­nico’s, and found their tastes in art, chicory salad and bishop sleeves so congenial that the joint studio resulted.

That was in May. In November a cold, unseen stranger, whom the doctors called Pneumonia, stalked about the colony, touching one here and there with his icy fingers. Over on the east side this ravager strode boldly, smiting his victims by scores, but his feet trod slowly through the maze of the narrow and moss-grown ‘places’.

Mr Pneumonia was not what you would call a chival­ric old gentleman. A mite of a little woman with blood thinned by California zephyrs was hardly fair game for the red-fisted, short-breathed old duffer. But Johnsy he smote; and she lay, scarcely moving, on her painted iron bedstead, looking through the small Dutch window­panes at the blank side of the next brick house.

One morning the busy doctor invited Sue into the hallway with a shaggy, grey eyebrow.

“She has one chance in—let us say, 10,” he said, as he shook down the mercury in his clinical thermometer. “And that chance is for her to want to live. This way peo­ple have of lining on the side of the undertaker makes of his coming masterpiece. For the rest he was a fierce little old man, who scoffed at softness in any one, and who regarded himself as mastiff-in-waiting to protect the two young artists in the studio above.

Sue found Behrman smelling strongly of juniper berries in his dimly lighted den below. In one corner was a blank canvas on an easel that had been waiting there for 25 years to receive the first line of the masterpiece. She told him of Johnsy’s fancy, and how she feared she would, light and fragile as a leaf herself, float away, when her slight hold upon the world grew weaker.

Old Behrman, with his red eyes plainly streaming, shouted his contempt and derision for such idiotic imaginings.

“Vass!” he cried. “Is dere people in de world mit der foolishness to die because leafs dey drop off from a confounded vine? I haf not heard of such a thing. No, I will not bose as a model for your fool hermit-dunderhead. Vy do you allow dot silly pusiness to come in der brain of her? Ach, dot poor leetle Miss Yohnsy.”

“She is very ill and weak,” said Sue, “and the fever has left her mind morbid and full of strange fancies. Very well, Mr Behrman, if you do not care to pose for me, you needn’t. But I think you are a horrid old … old flibbertigibbet.”

“You are just like a woman!” yelled Behrman. “Who said I will not bose? Go on. I come mit you. For half an hour I haf peen trying to say dot I am ready to bose. Gott! Dis is not any blace in which one so goot as Miss Yohnsy shall lie sick. Some day I vill baint a masterpiece, and ve shall all go away. Gott! Yes.”

***

Johnsy was sleeping when they went upstairs. Sue pulled the shade down to the windowsill, and motioned Behrman into the other room. In there they peered out the window fearfully at the ivy vine. Then they looked at each other for a moment without speaking. A persistent, cold rain was falling, min­gled with snow. Behrman, in his old blue shirt, took his seat as the hermit miner on an upturned kettle for a rock.

When Sue awoke from an hour’s sleep the next morning she found Johnsy with dull, wide-open eyes staring at the drawn green shade.

“Pull it up; I want to see,” she ordered, in a whisper.

Wearily Sue obeyed. But, lo! after the beating rain and fierce gusts of wind that had endured through the livelong night, there yet stood out against the brick wall one ivy leaf. It was the last one on the vine. Still dark green near its stem, with its serrated edges tinted with the yellow of dissolution and decay, it hung bravely from the branch some 20 feet above the ground.

“It is the last one,” said Johnsy. “I thought it would surely fall during the night. I heard the wind. It will fall today, and I shall die at the same time.”

“Dear, dear!” said Sue, leaning her worn face down to the pillow, “Think of me, if you won’t think of yourself. What would I do?”

But Johnsy did not answer. The lonesomest thing in all the world is a soul when it is making ready to go on its mysterious, far journey. The fancy seemed to possess her more strongly, as, one by one, the ties that bound her to friendship and to earth were loosed.

The day wore away, and even through the twilight they could see the lone ivy leaf clinging to its stem against the wall. And then, with the coming of the night the north wind was again loosed, while the rain still beat against the windows and pattered down from the low Dutch eaves.

When it was light enough Johnsy, the merciless, commanded that the shade be raised.

The ivy leaf was still there.

Johnsy lay for a long time looking at it. And then she called to Sue, who was stirring her chicken broth over the gas stove.

“I’ve been a bad girl, Sudie,” said Johnsy. “Something has made that last leaf stay there to show me how wicked I was. It is a sin to want to die. You may bring me a little broth now, and some milk with a little port in it, and … no; bring me a hand-mirror first, and then pack some pillows about me, and I will sit up and watch you cook.”

An hour later she said: “Sudie, some day I hope to paint the Bay of Naples.”

The doctor came in the afternoon, and Sue had an excuse to go into the hallway as he left.

***

“Even chances,” said the doctor, tak­ing Sue’s thin, shaking hand in his. “With good nursing you’ll win. And now I must see another case I have down­stairs. Behrman, his name is—some kind of an artist, I believe. Pneumonia, too. He is an old, weak man, and the attack is acute. There is no hope for him; but he goes to the hospital today to be made more comfortable.”

The next day the doctor said to Sue: “She’s out of danger. You won. Nutrition and care now—that’s all.” And that afternoon Sue came to the bed where Johnsy lay, content­edly knitting a very blue and very use­less woollen shoulder scarf, and put one arm around her, pillows and all.

“I have something to tell you, white mouse,” she said. “Mr Behrman died of pneumonia today in the hospital. He was ill only two days. The janitor found him the morning of the first day in his room downstairs helpless with pain. His shoes and clothing were wet through and icy cold. They couldn’t imagine where he had been on such a dreadful night. And then they found a lantern, still lighted, and a ladder that had been dragged from its place, and some scat­tered brushes, and a palette with green and yellow colours mixed on it, and—look out the window, dear, at the last ivy leaf on the wall. Didn’t you wonder why it never fluttered or moved when the wind blew? Ah, darling, it’s Behrman’s masterpiece—he painted it there the night that the last leaf fell.”

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